July 8, 2010
Draíocht and Fingal County Council are currently seeking submissions from Fingal visual art graduates for an exciting exhibition opportunity in 2010. This opportunity is being developed to recognise, nurture and showcase the range of talent of an emerging artist(s) from Fingal, working in any medium, seeking an exhibition in a recognised Irish gallery. This opportunity may take the form of a solo exhibition or participation in a group exhibition as part of Fingal County Council’s annual Amharc Fhine Gall (View of Fingal) exhibition to be held in Draíocht from November 2010 – January 2011. This year we will appoint an emerging, independent curator to select and present your work, a full colour catalogue will accompany the show.
- Be born, resident or be working from in the Fingal County area.
- Have graduated between 2002 and 2010 from a recognised third level art college with a Diploma, BA or MFA. PhD applicants will also be considered as long as they fill the emerging artist criteria.
- Be able to exhibit work from November – January 2011.
- Be able to supply an up-to-date CV, artist’s statement and images before the closing date.
How to Apply:
Applicants should provide a typed covering letter along with an artist’s statement, and up-to-date CV. Artists should also supply at least 10 good quality images in the form of hard copy, slides or CD/ DVD which should be all clearly marked with the name, description, date, dimensions etc. Any other relevant supporting material can also be included.
Applications should be sent to:
Caroline Cowley, Public Arts Co-ordinator, The Arts Office, Fingal County Council, Swords, Co Dublin
T: 01 8708449
Deadline: 5 pm, 5 August 2010
Michelle Hall Boat Paper, wood, plasticine and string 146 x 125 x 25.5cm 2009. Part of The Happy Valley Project. From Amharc Fhine Gall 2009
July 7, 2010
We use all sorts of materials in our family days and workshops. To our surprise last week, a lovely member of our local community brought us her treasure trove of material bits and pieces, ribbons, buttons, lace, etc etc
Before and after we discovered all the treats inside!
Buttons, Buttons, Buttons!
Look out for these buttons and materials in upcoming Workshops and Family Days @ Draíocht.
Keep an eye on the Youth Arts page of our website for more info on upcoming events
Thanks a million to the Kathleen, we promise not to waste a stitch!
Draiocht staff having a rummage…
July 6, 2010
Draíocht took part in the National Gallery of Ireland’s Drawing Day once again this year on Saturday May 22nd, and in a new departure we held our first adult workshop as part of the day.
Using Holly Dungan’s exhibition Woodstock as a starting point artists Michelle Hall and Emily Good assisted participants in drawing branches, bark, squirrels, lanterns, leaves and all manor of things you could find in or around trees.
Participants hard at work
Everyone’s work was then put together to form a large tree on Draíocht’s studio wall.
Michelle piecing the tree together
There was some amazing work done on the day, congratulations to all involved!
Our Final Tree
A BIG thank you to Michelle and Emily who made the day possible
May 31, 2010
`The Great Auk and other stories`
An Exhibition of paintings by Michael Mc Swiney at Draiocht, Dublin, June 4th to August 28th 2010
In this exhibition of works by Michael Mc Swiney, at Draiocht, the strong influence of growing up in Cork harbour permeates the surfaces, structures, and meanings in the paintings. Michael has travelled some distance from Cork in the last 23 years, sourcing form and content from far-off places, yet the colour, atmosphere and memory of the Atlantic Ocean is in the layers of paint, tar, pigment and earth. Out of these surfaces, he excavates from the memory and imagery of living in 70’s Ireland, in a working harbour by the sea, where beauty, soul and adventure merge easily with decaying or destructive materiality and man-made structures. The elemental possibilities of the coast are explored through a wealth of medium & materials applied to the canvas and of imagery he draws out; sea journeys, boats, dry docks, harbours, tides, oil rigs, pollution, abandoned buildings and factories and a forgotten bird, the Great Auk.
Michael McSwiney `Rounding the Drydock` 50x40cm Oil, pigment and metal dust on canvas,2009
In this exhibition every painting is a story. The freedom felt as a child travelling out in the boat to where only the horizon and the surface remain as a space to cultivate imagination is recreated. Explorations of run-down or abandoned structures and buildings encountered as a child continues in the paintings of architectural structures like ‘Abandoned factory’ which won Michael a Norwegian Art’s Council Grant in 2003. Considering the sea paintings along with the structures of decay and dilapidation, a liminal threshold is suggested, where things come from and go to, a line between man, the man-made and nature, presence & history, darkness and light, beauty and destruction, comfort & discomfort, material and meaning, narrative and abstraction.
Michael McSwiney `Slag Heap`
Michael Mc Swiney left Cork harbour to study art in Crawford College of Art and then to the National College of Art and Design in Dublin, later travelling to places like Denmark, India, Egypt and throughout Europe. Returning to Ireland in the late 1990’s, he had several solo exhibitions, exhibited at An t’Oireachtas and won the painting prize at Iontas in 2000. From 2000 Michael was based in Oslo, Norway where he regularly exhibited his paintings, lectured at the prestigious Einar Granum Art School and was awarded grants from the Arts Council of Norway and the Norwegian Culture Department.
Michael returned to live in Ireland two years ago and has presented solo exhibitions of works at Garter Lane Arts Centre Waterford, Linenhall Art Centre Mayo, Sirius Art Centre Cork and Droichead Art Centre Drogheda. He is represented in collections in Ireland, Europe and internationally.
Michael McSwiney `The Spit`
The Great Auk is symbolic of this return and of Michael’s process. This amazing bird first caught his attention when he was looking for inspiration in Oslo’s National Museum of History. Attracted initially by the beauty of the bird, and learning it was extinct, research led him to empathise with its tragic demise. These beautiful, penguin-like birds were so curious. They swam out to boats and were easily clubbed to death for the value of their beautiful feathers. Knowing no better and being trusting, the birds kept coming. The story of the Great Auk is indicative of one side of the destructive relationship between man and nature that is explored in Michael McSwineys’ paintings, the other side in this relationship adventures towards soul, imagination and expansive possibility. The last Great Auk was washed up on Long Strand in West Cork in the 1800’s, only down the road from where Michael now lives with his family. These paintings and stories mark a cycle of return in the work and life of Michael McSwiney.
Michael McSwiney `Abandoned Factory`
Further info about Michael: http://www.michaelmcswiney.com/
May 31, 2010
We love getting last minute amazing acts for you, especially first timers to Draiocht!
It was the short-lived but warmly remembered 'Fairground Attraction' that brought Eddi Reader into the limelight and to the attention of a much wider audience. The single ‘Perfect’ and parent album ‘First of a Million Kisses’ both topped the British charts.
Love Is The Way’, is Eddi Reader’s seventh solo album, released in March 2009 on Rough Trade Records. Produced by Eddi herself, it is her best work so far. Recorded in a matter of days with her band in Glasgow, the record has captured the award winning songstress in her finest form. Songs written with her long time writing partner Boo Hewerdine, songs written with her life partner John Douglas (The Trashcan Sinatras) and a song from the magical Irish singer/songwriter Declan O’Rourke as well as a rare Brian Wilson composition, an Eddi/Fleetwood Mac ‘mash up’, and a song from Dublin songwriter Jack Maher.
From the traditional to the contemporary, Eddi brings to joyous life all forms of song. Her taste in co-writers, writers, songs and players is impeccable and anything with her name on it is guaranteed musical treasure. Whilst the perfection of her technique is widely acknowledged, what sets Reader apart is the depth and quality of the emotional performance; her ability not only to move the listener but to connect her experience to that of her audience. Her passion and instinct move people in a way reminiscent of those who have influenced her work. Her rare blend of meltingly true vocals and towering romanticism combine with an astute and pragmatic nature to make her a unique and powerful figure in contemporary British music. She has effortlessly developed into one of popular music’s most thrilling and affecting performers.
Now booking: tel: 8852622 / Tickets: 22 euro / 18 euro conc