Des Kenny Reviews Andrew Carson - Pilgrim

October 5, 2015

05 October 2015 - Our Arty Blogger is back! Des Kenny Reviews Andrew Carson ...  

As you look down at the careful placement of your feet on each step of the spiral staircase leading to the First Floor Gallery in Draíocht, there is a slight feeling of vertigo as you are demanded to look suddenly upwards on the final step. At this juncture, black geodesic globes suspended from the ceiling immediately greet your eye and flow in a gentle curve towards the centre of the exhibition space. Ahead of this stream of geodesic spheres is a lone golden globe which appears to pull all the others in its wake.

The gallery space is carved out to lead the spectator inwards on a theatrical journey to explore the sublime vastness of the heavens. Distances of outer space are so vast; it can overwhelm the finite mind so the artist reduces whole universes to a globe that can be held in your hand. These geodesic spheres are covered in shimmering stars that light up the dark fabric of space.

At the far end of the gallery twelve black opaque panels stand erect like sentinels. These dark panels appear unrevealing until close examination unveils delicate lines of notation representing the binary code. They emit an opalescent sheen which separates the mathematical symbols from the dull surface of the panels. The message appears camouflaged in mystery awaiting a key to unlock its meaning.

The panels are a physical representation of a radio wave missive transmitted from a radio telescope in Puerto Rico in 1974. The transmission took three minutes to broadcast into the night sky. The radio telescope was pointed at M13, a mass of stars in the great cluster of Hercules. The system contains 300,000 stars with probably an equal number of planets. The scientific community with the aid of radio waves wished to contact alien life that may exist on these worlds. The binary system used by the scientists is an easy language to interpret. The numerals, equate to black and white squares, were 1 forms a black square and zero creates a white square. When decoded a simple pictorial image is formed, showing the image of man, the DNA helix and the position of earth and corresponding planets orbiting our sun. To this day the message remains unanswered, the night skies glistening constellations respond with the unending echo of silence.

While navigating the gallery space absorbing the functionality of the artists process, an underlying meaning is formed around the work. A subtext that does not overpower the visual reality of the show but allows the viewer unearth the moral quietly. It’s a realisation that the act of searching is more important than discovery. The subterranean impulses carrying humanity beyond a limited vision that contains creativity and outward to a limitless horizon were the imagination is unbound, define a culture. In the gloomy silence of empty space the lonely pilgrim searches undaunted with hope as a guide. 


Read more about Andrew's show ... here ...

Desmond Kenny is an artist based in Hartstown, Dublin 15. He is a self taught painter, since he began making art in 1986 he has since exhibited widely in Ireland and abroad, solo shows include Draíocht in 2001, The Lab in 2006 and Pallas Contemporary Projects in 2008. His work is included in many collections including the Office of Public Works, SIPTU, and Fingal County Council. Kenny's practice also incorporates print making and he has been a member of Graphic Studio Dublin since 2004.


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