Des Kenny Reviews Mary Claire Kehoe - Concentrate On Your Breathing

October 2, 2014

26 September 2014 - Our Arty Blogger is back! Des Kenny gives a personal response to our current exhibition by Mary Claire Kehoe, 'Concentrate on Your Breathing'.

Marie Claire Kehoe is a printmaker and her prints are exhibited in the First Floor Gallery in Draiocht. The artist uses monoprints and collograph techniques to produce unadorned but effective abstract imagery of elevated emotional intensity. The works while having a layered psychological aspect to their understanding also can stand alone in a formal sense as explorations in the language of abstraction. While the prints maintain this duality, it’s the emotional mark making driven by inner need that adds intensity to the impersonal barriers surrounding abstraction.

Support System

In Support System three thick vertical black lines are bolstered by base line which appears to act as a foundation stone. But this keystone is ferociously scoured undermining its weight bearing nature and a vertical line receives similar treatment. The comfortable gilded beliefs held so dear begin to crumble under intense scrutiny and from the rubble of a shattered spirit a new but fragile persona may reveal itself.

Top Heavy / Suffocating / Trapped

In Trapped a black triangular form lays dormant captured beneath two strident grey strokes .The fervent urgency of the grey mark making stifles attempts at freedom from fates shackling indifference. While in Overspill the enclosed red escapes the comfort of its square shaped brushstrokes and flows in a free falling splash towards plundering chaos. While impatiently seeking release from pain, there is the possibility of failing to govern responsibly the release of dark harbingers from the psychic depths and this creates new agonies that lack redemptive healing power. This is further encountered in Open the Floodgates where a rampant black paint plunges downwards onto a sharp restrictive parapet. Once the unconscious is liberated, a torrent of soulful energy scatters without restraint around and beyond self imposed defence systems that guard and shadows our visible personality.

Close Your Eyes and Take a Deep Breath

A sense of panic can arise when confronting the dread that lies beneath the subterranean layers of the unconscious mind and breathing techniques are often found helpful to calm ragged nerves. In Close Your Eyes and Take a Deep Breath a roughly brushed black square contains splatters of blue suspended in self- possessed animation, briefly frozen before the next exhaustive engagement with nameless terrors are resumed. This subject matter is portrayed once more in Concentrate on Your Breathing where the central dark form floats momentarily within the white borders of the print but than oozes beyond the printing plates edges , seeping onto the bleached margins of the printed paper. Calm breathing encourages the emotional outpouring to escape the periphery of the minds restraint in a balanced determined rate, moderating rising angst to endurable levels.

Please Mind Me 1

Meagre marks that possess poignant if austere imagery have a dynamism that concentrates the viewers eye with an intensity that are absent in more complex representations. This effective approach is used successfully in Please Mind Me 1, where a simple curved, open ended line holds a single tender yellow dot. The hesitant opening like a harbours mouth, permits the vagaries of life enter the fixed solitude of a tattered inner sanctum and although not immune from fear or hurt will help embrace the evergreen light a new beginning cultivates. The powerful symbolism portrayed with minimalist means offers a complex insight into a fractured minds excruciating descent through the shrouded layers of the inner self that eventually leads to recovery. These works stand solemnly unabated in their searing pursuit of truth and have a cathartic quality that rewards close scrutiny from a receptive viewer.

Desmond Kenny is an artist based in Hartstown, Dublin 15. He is a self taught painter, since he began making art in 1986 he has since exhibited widely in Ireland and abroad, solo shows include Draíocht in 2001, The Lab in 2006 and Pallas Contemporary Projects in 2008. His work is included in many collections including the Office of Public Works, SIPTU, and Fingal County Council. Kenny's practice also incorporates print making and he has been a member of Graphic Studio Dublin since 2004.



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