Sarah O’Brien’s practice is a process based one, focusing on drawing and installation. The work is intended as a series of spatial and tactile suggestions.
Using lo fi materials and working with specific spaces and architecture, she hopes to achieve theatrical drawing/sculptural installations. The simultaneous independence and co dependence of the work within its surrounding environment raises questions of homage and equally of futility. The materiality strives to imbue the viewer with a sense of the tension between light and weight, coloured and black.